The
Multi - person Benesh Movement Notation Score
Scores recording the related actions of a number of people
executing different movement are recorded on the required number
of linked
staves, in a similar manner to a music conductor’s score.
Simultaneous movements are recorded on vertically aligned frames
and the barlines extend down from the top stave to lowest stave,
linking the set.
Soirée
Musicale
Choreography © Kenneth MacMillan, London 1988. Notated by
Julie Lincoln


Each stave is labelled to show who is executing
the movement recorded on it. Modifications of the direction sign are
used to identify different individuals or groups of people. Women are
normally represented by filled in identification heads and men by open
ones, to which a variety of cross-outs may be added as required.

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Woman
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Man
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Most
common modifications
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Cross-out
options
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Where appropriate, brackets in the left
hand margin link the staves of people who are working together.
In multi-person scores the relationships
between people, their locations and travel paths are summarised between
the top two staves of a linked set providing an overview of the floor
plan. Where necessary the relevant information may be restated, or more
detailed instructions given, beneath the relevant stave.
‘Stage
plans' which give an overview of the working space, may be used in
addition to the below-stave summary
of the floor plan, and to show the placement of furniture and other structures
within the working space. Written in sequence, separately from the score,
they can serve as a useful reminder of the floor patterns.
Sequence
of stage plans corresponding to the Soirée Musicale excerpt
above
Intro,
Bars 1 & 2

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Bars
3 & 4
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Bar 5

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Stage plans show the working space from
the performers' point of view.
The open side of the box represents the front (towards the audience).
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Bar 6
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Bar 7
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Bars
8 & 9
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